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Discursive Design · Spatial Installation · Cultural Research

DE-GREE: Identity Anxiety in China's AI Transition

What if a degree feels like both shield and trap?

Role
Designer / Researcher
Method
Soma Design / Material Semeotics
Year
Feb 2026 - Apr 2026
Venue
UNSW Term1 2026 DDES9017 Capstone Studio 2

The Question

When the systems that recognise us start to fail, what is a person still worth?

As AI reshapes what work is worth, a generation of highly educated young people in China’s content and creative industries is told a degree is everything — and nothing(Si, 2025). The credential that was supposed to guarantee a future now guarantees very little, yet letting go of it feels like losing the only proof of value you have.

DE-GREE sits with that contradiction. The question was not how to fix the anxiety, but how to make it legible — to let an audience feel the pressure of a collapsing evaluation system in the body, without explaining it to them first.

Research & method

Rather than argue the anxiety, I translated it into a spatial language: the Chinese character “证” (zhèng — certificate, proof, recognition) was deconstructed into a walk-through structure, so the symbol of the credential becomes the architecture a body has to negotiate.

The method was iterative and physical — testing structure, movement, material, and wearable interaction in turn. A lo-fi, real-size “first wall” was built from cardboard to verify that a body actually has to bend and fold to pass through, before scaling up to a full installation footprint of 5m × 3m × 2.2 m.

Real-size physical first wall prototype and body-scale testing
3D model views of the Big Red Flower wearable tension device
Photographic documentation of the Big Red Flower wearable tension device
Photographic documentation of the one-to-four physical scale model
An introductory film for DE-GREE

The Experience

Physical interaction is the carrier; critical reflection is the purpose. As a participant moves through the fragmented “证”, their posture, balance, and movement are shaped by resistance, restriction, and instability — invisible psychological pressure made into something the body has to carry. A wearable “Big Red Flower” device — borrowing the Chinese symbol of childhood recognition (大红花) — turns that reward into a pulling mechanism of tension and pressure worn on the body.

Journey step 1: approaching the first wall
1. The participant stands before the first wall, ready to enter the DE-GREE experience.
Journey step 2: bending through the first wall
2. He follows the wall outline: turns sideways, lowers his head, lifts his feet, and keeps both arms level.
Journey step 3: entering the installation
3. After passing the first wall, he notices the “big red flower” wearable hanging before the second wall.
Journey step 4: noticing the Big Red Flower mechanism
4. He looks closely at the suspended red flower, recalling the childhood belief that “only good children receive big red flowers.”
Journey step 5: confronting the Big Red Flower mechanism
5. He attaches the red flower to his left ankle.
Journey step 6: reaching through the structure
6. Following the second wall’s outline, he sits with legs forward, arms level, and head lowered.
Journey step 7: body held under tension
7. Following the third wall, he stands with arms extended, legs crossed, and left foot lifted. Pressure begins on his left hand as well.
Journey step 8: body compressed beneath the structure
8. Following the fourth wall, he lies down with arms and legs extended. All four limbs now feel elastic pressure.
Journey step 9: body released into the final space
9. At the end point, he looks back through the openings and sees a red flower on each wall. The pressure reaches its maximum.
Journey step 10: looking up at the fragmented Chinese character
10. These accumulated symbols and pressures form a flattened Chinese character “证,” representing the reconstructed meaning of “certificate.”
DE-GREE project poster page 1
Project poster — page 1 (Zoom out for more)
DE-GREE project poster page 2
Project poster — page 2 (Zoom out for more)
DE-GREE project poster page 3
Project poster — page 3 (Zoom out for more)

What it revealed

The point was never relief. By making anxiety and pressure bodily perceptible, DE-GREE opens a space to question self-worth, human value, and irreplaceability at a moment when the criteria for recognition are being rapidly rewritten by AI. It connects directly to SDG 8 — decent work and dignity: as AI transforms the conditions of labour and evaluation, it asks how capability and human worth should be recognised, for individuals, organisations, and a shared future.

The strongest proof was watching people resist it — bracing against the tension, choosing how far to bend — and then keep questioning afterwards. The installation doesn’t hand over an answer; it creates the conditions for confronting the futures that are being forced on us.

DE-GREE does not propose a solution to anxiety; it creates a condition for confronting it.

Si, H. (2025). Higher education evolution in China: A systematic review of the internationalisation of higher education in China. Higher Education Quarterly, 80(1). https://doi.org/10.1111/hequ.70088.

Special Thanks

Dr. Michael Garbutt and Catherine Sarah Young PhD, Faculty of Art, Design and Architecture, UNSW Sydney